Hepzibah sessa biography of william

And he did well in his piano lessons. Alan wasn't really enthusiastic for the boys' grammar school which he attended.

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I was doing quite good, but I wasn't interested in most of the subject-matter. I only found music and languages to be absorbing. Maybe because it wasn't interesting enough what they had to tell. I couldn't take schooling seriously although I'd love to go back and really learn now - it wasn't what I needed at the time. My mind would wander.

True friends are not like that of course.

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Then I went back to school once again and tried to study for the A-levels but it didn't work really. I was a tea boy, really, an over-worked gofer. The only good thing about DJM was that when bands finished studio sessions they'd often leave their instruments behind so I could muck about on a keyboard or bash some drums. And, as arrogant as it sounds, I always had absolute conviction that I'd be able to forge a career for myself in music.

I had to pay my dues by making tea for other people for no moneyliving in a floorless building once, in Hammersmith much to my mother's dismay, didn't bother me thoughand slumming around the toilets of England in various unknown bands for a few years but I still enjoyed it and, more importantly, it made me appreciate success much more when it came.

The first band Alan joined was The Dragons. He moved to Bristol to work with them. The first song he played on was Misbehavin sort of s soft rock stuff which was released as a single on DJM records around Do you have a favourite Recoil track?

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Dean Garcia. Also 'Vertigen', the track with Rosa Torras - it's going to puzzle some people I suspect What music do you listen to? Of the recent albums we've bought, I like the latest ones by Whale and Moloko, parts of Nine Inch Nails' 'The Fragile' and the new Supergrass offering - even though it's a complete Beatles pastiche. One I keep coming back to is a collection of songs by Noel Coward, which features the unforgettable 'Don't Let's Be Beastly To The Germans' which we delight in playing at full volume whenever the 'hun' visit us In true Coward-style, it's tirribly, tirribly xenophobic but hilarious nevertheless.

What are your present and future plans?

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Pretty much the same old thing as before I've recently set-up a website to advertise some of the soft furnishings I design, so check it out if you like kinky cushions etc. Can you describe a typical day living with Alan? It's relatively civilised at the moment and he's being quite attentive We're totally engrossed with re-programming aspects of the website in readiness for the album release and obviously dealing with all the periferal things like enhanced CD's and E.

They were originally active from toreforming in Formed inKatharine BlakeKelly McCusker and Jocelyn West were originally a trio of madrigal singers, also skilled in the playing of various instruments. To develop performance experience and raise spare cash the trio opted to busk on the streets of London. In an interview with Stubble MagazineKatharine Blake commented, "Sometimes I think it's better there is a lot less bullshit you just get out there and do it.

If people like it they throw money at you if they don't they tell you". Their first album, Madra Augustwas produced by classical producer Tony Faulkner. By the time of their second release, Iristhe band's sound had evolved into a blend of their original madrigal-styled vocal harmonies with new elements reminiscent of folk musicgothic rockdark waveethereal waveand industrial music.

In Januarythe "Play" single was released, to be followed in March of the same year by the band's third album Suspiria. With Kim Fahy joining on bass guitar inMiranda Sex Garden continued to pursue a deeper, darker and more sophisticated sound, including a developing interest in sexual fetishism. A single "Peepshow", saw the band promoting its release with a live performance in the window of Tower Records in Piccadilly Circus.

The "Lunatic Fringe" nights expanded via "genre-bending" nights at the Waikiki Lounge, where the band performed alongside Leigh Bowery 's transgressive art-pop band Mintytransvestite rocker Sexton Ming and body artist Alex Binnie for the entertainment of "voyeurs, trendsetters and genuine bizzarros". At the turn of andMiranda Sex Garden toured with various bands including Hole.

InDonna McKevitt would record and release Translucence A Song Cycle a collaborative album with the late Derek Jarman in which she set his poetry to classically-inspired string music: another former MSG member, Kelly McCusker, was among the musical contributors. Now without a record contract or funding, the band played intermittent London gigs while the various members simultaneously pursued their other projects.

In Miranda Sex Garden were given the hepzibah sessa biography of william to record and release a new album, Carnival of Soulsthanks to the setting up of the dedicated SugarDaddy Records label. However, without the promotional budget of a large label, the album received little attention, and in retrospect, the band would consider Carnival of Souls to have "never formally been released".

Ben Golomstock would later refer to this period as "the Coma Years", and claimed that the band had never really split up: "I recorded a few ideas, Katharine sang on some new stuff, we thought we could have a crack at another CD. We started playing around with it as a band - and I got the sack because I fell asleep in the studio. They tried to get someone else in, but I guess it didn't work out.