Tony furtado discography procedure

And my brother took some drum lessons, but that was it. He kind of quit right off the bat. I was just always interested in instruments and in music. It was something fascinating for me. The main reason I got into it, though, was I took an intro to music class, and you had to make a little instrument out of household items and do a report on that instrument.

At the time, I was really into making the balsa wood airplanes, and I made a little banjo out of a pie tin and paper that I stretched over the top of it. I put a stick on it, and rubber bands for frets, and nylon fishing string. I read that it came from Africa, and that you could play all kinds of music on it from jazz to celtic music, to something called bluegrass.

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That was actually going to be my next question. Not a lot of people — kids especially — start out on the banjo. And that was it! Right — so that the inspiration is organic. When I was in high school and I was getting really into it, I was practicing hours and hours a day — sometimes six or eight hours a day. So I did! And I was trying to really get into music in general as well.

I was studying theory on my own. I was trying to teach myself any kind of theory. I was transcribing Charlie Parker heads and working out to play bebop on the banjo. I had a buddy — a teacher — who I was taking lessons from when I was 17, and he had gone through trying to figure out how to do that stuff on a five-string banjo. The four-string and five-string are totally different instruments.

So in folk and bluegrass and old-timey music, it works out great. I looked to him for inspiration a lot when I was a kid. I was also studying Celtic music on the banjo, and whatever else I could. I went to Cal State Hayward, which is now called something else, but there was a jazz teacher there named Dave Eshelman. I was either going to quit college and join the band, or I was going to stay in college and really study music.

And so I remember going to the dean of the school of music, and I explained my situation. I had been sneaking into some of these classes — music for majors and theory for the majors as well as jazz theory. Again, Dave Eshelman was the tony furtado discography procedure jazz instructor there. I went up to him and asked him if I could take his class.

Come on in, but I have to give precedence to the music majors. I went in and I totally held my own and learned a lot from being in that class. I wanted to take it to the next step and maybe carve out my own major or even a minor in music, but with the banjo. So I went to the dean and I told him what I wanted to do, and he basically laughed at me!

And I felt extremely insulted. I ended up moving on to slide guitar and singing and songwriting, and kind of mixing up different influences from everything from the old-timey stuff I was studying to celtic and indie rock and indie folk — whatever they call it. The last time I saw you was in January when you were playing with David Lindley.

It was just amazing. I was impressed! Well, thanks! I appreciate it.

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I relate to him because one of his early instruments was the banjo, and you can hear it in his playing. You can hear the classical — I think he said he his first serious instrument was classical guitar — and you can hear the banjo. So, I relate on that level. Yeah, the first time I opened for him would have been 17 years ago, maybe.

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I had just started playing slide guitar just a few years before that. I had a band with me, and I was in Chico, California. Then there were a couple times later on that I did some openings for him, and he has me sit in every once in a while. Are there any facets of your musical career that people might not otherwise know about? Have you done session playing or worked as a sideman for various people?

We were on the same record label and I was kind of in that bluegrass genre, so I had her sing a song on my second album. I was only playing banjo back then. I had her sing a Beatles song on my album. So she lifted it from my album and put it on hers, and I think that album sold a couple million! Then I had her sing it on mine. A few years tony furtado discography procedure, I was traveling through L.

So I went in, and it turns out that Billy Ray Cyrus is one of the sweetest guys you would ever meet! Overflowing — just a nice, nice, nice guy. And the producer was really spot-on, so it was fun. I just went in there with my banjo and played a bunch of banjo for a whole day. I went in there and played on a whole bunch of tracks. And then I remember texting back and forth with Billy Ray Cyrus a few times.

How you doing? Then he ended up having me fly down to play on the Tonight Show — the Jay Leno show — with him. So that was pretty cool, you know? That was a pretty cool session to be on. Also early in my career, I remember touring in the U. And we were playing in some pub, and the pub was packed. He really likes banjo music. And it was just outside of Birmingham, where he lives part of the time.

I guess he lives in Nashville and in Birmingham. And he came up, watched the show, and came up afterwards and I was chatting with him! Tony Furtado. Musical artist. History [ edit ]. Performance [ edit ]. Band [ edit ]. Awards and honors [ edit ]. Musical style [ edit ]. Discography [ edit ]. References [ edit ]. Retrieved 29 October February 21, Deseret News.

Archived from the original on August 7, Retrieved August 6, External links [ edit ]. Artists Search Donate Terms. Tony Furtado. Tony Furtado is a highly talented and versatile musician who has made a significant impact on the American music scene. Born in California inFurtado began his musical journey at a young age, learning to play the banjo and guitar.

Over the years, he has honed his skills and developed a unique style that blends elements of folk, bluegrass, blues, and Americana. Furtado's discography is extensive, with a wide range of albums that showcase his musical prowess and creativity. One of his early releases, "American Gypsy," introduced audiences to his soulful voice and masterful banjo playing.