Musical biography quincy jones

Film [ edit ]. Television [ edit ]. Music videos [ edit ]. Acting credits [ edit ]. Theatre [ edit ]. Discography [ edit ]. Main article: Quincy Jones production discography. References [ edit ]. The Guardian. Retrieved November 5, Retrieved July 18, Five Ways He Revolutionized Music". Retrieved November 12, American Academy of Achievement.

Retrieved December 26, July 4, Retrieved November 17, It's a musical biography quincy jones special occasion for me because July 3, Zambia News. February 6, Archived from the original on October 25, Genealogy Magazine. March 14, Archived from the original on April 14, Retrieved March 31, June 22, Retrieved September 27, Archived from the original on October 29, The Seattle Times.

Retrieved July 16, Retrieved January 16, Northwest Prime Time. September 1, Retrieved July 8, Masters of Music: Conversations with Berklee Greats. Berklee Press. ISBN Originally published in Uncut TakeDecember The HistoryMakers. September 27, Conversations in Jazz: The Ralph J. Gleason Interviews. Yale University Press. Q: The Autobiography of Quincy Jones.

Good Times Home Video, No. One of a set of five tapes. Retrieved December 28, Retrieved August 17, Updated November 4, The Verge. Retrieved August 24, Los Angeles Times. Retrieved April 1, Quincy Jones. Retrieved June 12, February 4, Retrieved February 18, April 23, Archived from the original on July 14, Retrieved May 23, October 4, Archived from the original on March 6, Retrieved December 13, The Two-Way.

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Interviews With Writers. Retrieved January 25, Eritrea — Activities — We are the Future Centres". Archived from the original on December 21, New Sounds. Interviewed by John Schaefer. New York Public Radio. November 14, The Chronicle of Philanthropy. Deadline Hollywood Daily. Humanity and the Nature of Man. Global Down Syndrome Foundation.

Retrieved March 24, One night they broke into the recreation center, a placed called the Armory, to find food. I was Quincy became active in the school choir and band, learning to play a variety of instruments including trumpet, drums, tuba, B-flat baritone horn, French Horn, E-flat alto horn, sousaphone and piano. In Seattle he hung out with a very young Ray Charles, only two years his senior but already playing clubs and living on his own.

He also sang in a gospel group. He spent some time in Europe, which freed him from the racial tension he had to deal with in the U. There jazz was appreciated, and he was musical director of Barclay Records, owned by Eddie Barclay and Nadia Boulanger, the famous composition instructor who had among her students Igor Stravinsky and Aaron Copeland.

Jones studied under Boulanger in order to learn counterpoint, orchestration and composition. That year in Paris was wonderful. It is amazing that Jones could remember all the aspects of his career in order to put it into book format. There was so much to the writing and rewriting. You just sit down and use power and work it out. I never looked back before; I got surprises, painful things, revelations, a lot of joyful surprises too, just dealing with it.

Jones continues to explain how the book came about. Then I found out you have to sit down and start to figure it out yourself. His first marriage was to Jeri Caldwell from to ; they had one daughter together named Jolie. The pair were married from toand they had two daughters, Kidada and Rashida Jones, who is a popular actor and filmmaker.

He also had two daughters, Rachel and Kenya, from other relationships. Q: The Autobiography of Quincy Jones was published in In Septembera documentary entitled Quincy was released by Netflix. The movie was co-directed by his daughter, actor Rashida Jones. F—ing songs, not hooks. Love, an year-old bow-legged man who is still learning from his mistakes.

Jones died on November 3,at age He was at his Bel Air, California, home when he died. Big hug, I love you eternally.

Musical biography quincy jones: Quincy Jones was an American musical

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Musical biography quincy jones: Quincy Delight Jones Jr.

New York : Doubleday, Kavanaugh, Lee Hill. Quincy Jones: Musician, Composer, Producer. Springfield, NJ: Enslow, Ross, Courtney Sale. New York : Warner Books, Born: ChicagoIllinois14 March In a diverse career ranging through six decades of African-American musical styles, from s jazz to hip-hop of the s and s, Quincy Jones has earned his reputation as an American institution, excelling as an arranger, producer, instrumentalist, songwriter, film composer, and solo artist.

The key ingredient of Jones's lasting success, apart from far-reaching talent, has been his breadth of vision. At the same time he has become one of the top businesspeople within the record industry, proving that art and commerce can reside side by side peaceably. In the s, after health and personal problems threatened a setback, Jones remained active in music, film, and television production, running his own record label and recording all-star albums that reflected his catholic taste.

Jones spent his early years on Chicago's South Side, an African-American neighborhood rich with a palette of music during the s and s. Although she suffered bouts of mental illness, Jones's mother was a learned and intelligent woman who instilled in him a love of music. In the family moved to SeattleWashington, where Jones learned to play a variety of instruments before focusing on the trumpet.

In the early s Jones moved to New York City and began working as a musical arranger, overseeing recording sessions for artists such as jazz singer Helen Merrill, trumpeter Clifford Brown, and famed "Queen of the Blues," Dinah Washington. Jones spent a large portion of the s in Europewhere he organized a jazz musical theater play in Deeply in debt after continuing to pay the musicians' salaries once the show had dissolved, Jones returned to the United Stateswhere he joined Chicago-based Mercury Records as vice president in The first African American to hold a senior position within a large record company, Jones produced his biggest pop hit at Mercury with "It's My Party," a smash by teen star Lesley Gore.

At the same time, Jones began releasing his own albums and composing musical scores for Hollywood films such as In Cold Blood and In the Heat of the Night both Like his solo albums, Jones's film scores were lush, hip, and atmospheric, appealing to pop listeners while retaining a jazz-based groove. Jones continued to work steadily throughout the s and s, although a brain aneurysm nearly killed him in Given a one-in-one-hundred chance of recovering, Jones rebounded with energy and strength, producing some of the most successful work of his career.

In the late s he began collaborating with pop star Michael Jackson, overseeing production on Thrillerthe best-selling album in recorded history. By this time, Jones possessed the clout to assemble diverse groups of performers under one roof, a testament to his stature within the music industry. The heavy responsibilities of Jones's new endeavor took a toll: In he suffered an emotional breakdown, followed by divorce from his wife, actress Peggy Lipton, in After taking time to refocus on a quiet island in Tahiti, Jones bounced back by founding Vibe, a magazine devoted to hip-hop and rap culture, in He also produced the hit television series The Fresh Prince of Bel-Airwhich starred rapper and actor Will Smith and ran from to As cultural critic Gerald Early noted for PBS television network's American Masters program inJones is a "culminator," rather than an innovator.

Rarely inaugurating new styles, Jones instead assembles the finest work of the past into a new, exciting brew. Despite Jones's historical jazz sensibility, the album is weighted toward the contemporary. Critics note that other songs are less successful: The jazz-styled funk of "Cool Joe, Mean Joe Killer Joe " is a bit too clean-sounding, and vocal group Take 6 is unable to handle the tricky phrasing on the jazz standard, "Moody's Mood for Love.

His familiarity with so many different styles sometimes prevents him from digging into the emotional core of his material. As a result, critics have observed that Q's Jook Joint has the feel of a discursive survey, rather than a detailed exploration. On the whole, however, the album emerges as a worthy effort, informed by Jones's vast knowledge and discernment.

While Jones continued to score films during the late s, working on the hit movie Austin Powers: International Man of Mysteryhe also devoted time to more personal projects. In he released Basie and Beyond, a tribute to great jazz bandleader Count Basie. One of the few pure jazz works of Jones's later career, the album features a large orchestra consisting of top players such as percussionist Paulinho Da Costa.

Although only one of the songs, "For Lena and Lennie," is actually associated with Basie, Jones and arranger Sammy Nestico capture Basie's gently swinging rhythmic style. On "Grace," an elegiac mood is created through trilling woodwinds and dark-sounding brass, but the arrangement never attains the level of complexity that would make it truly memorable.

Still, Basie and Beyond qualifies as a laudable attempt to bypass mainstream pop audiences in favor of reaching a loyal jazz base. Since the s Jones has continuously sought to balance his various influences and instincts, creating music that looks to the past while staying rooted in the present. Defining the range of possibilities for the contemporary African-American musical artist, Jones excels in every field of entertainment.

Regardless of style, his work is informed with unerring professionalism and taste. Freeland, David " Jones, Quincy. Freeland, David "Jones, Quincy. The music producer and composer Quincy Delight Jones Jr. Jones sang in church groups from an early age, and he wrote his first composition at the age of sixteen. While in high school he played trumpet in rhythm-and-blues groups with his friend Ray Charles — After graduating from high school, Jones attended Seattle University, after which he enrolled in the Berklee School of Music in Boston.

Jones toured Europe with Hampton and soloed on the band's recording of his own composition, "Kingfish" After leaving Hampton inJones, who had an undistinguished solo style on trumpet, turned to studio musical biography quincy jones and arranging, working with Ray Anthony, Tommy Dorsey, and Hampton. In Jones helped the trumpet player Dizzy Gillespie — organize his first State Department big band.

From to he worked as the music director for Barclay Records in Paris, where he also studied arranging with the renowned teacher Nadia Boulanger — Back in the United States in the early s, Jones devoted his time to studio work, attaining an almost ubiquitous presence in the Los Angeles and New York music scenes. Jones began working as a producer at Mercury Records in He increasingly made use of popular dance rhythms and electric instruments.

He recorded with his own ensembles, often in a rhythm-andblues or pop-jazz idiom, on albums musical biography quincy jones as The QuintessenceGolden BoyWalking in Spaceand Smackwater Jack Jones also branched out into concert music with his Black Requiema work for orchestra Inshortly after recording Body HeatJones suffered a cerebral stroke and underwent brain surgery.

After recovering he formed his own record company, Qwest Productions. Throughout the s Jones remained in demand as an arranger and composer. During the s Jones expanded his role in the film business. In he co-produced and wrote the music for the film The Color Purple and served as executive music producer for Sidney Poitier 's film Fast Forward Jones's eclectic approach to music, and his ability to combine gritty rhythms with elegant urban textures, is perhaps best exemplified by his long association with Michael Jackson.

Their collaborations on Off The Wall and Thriller resulted in two of the most popular recordings of all time. Jones also produced Jackson's Bad During this time, Jones epitomized the crossover phenomenon by maintaining connections with many types of music. The next year he produced and conducted on Frank Sinatra 's recording, L. Is My Lady. In Jones appeared with Davis at one of the trumpeter's last major concerts, in Montreux, Switzerland, a performance that was released on album and video in as Miles and Quincy Live at Montreux.

During this time Jones also continued to work with classical music, and in he released Handel's Messiah: A Soulful Celebratio n. Bywith twenty-two Grammy Awards to his credit, Jones had become the most honored popular musician in the history of the awards. He also wielded enormous artistic and financial power and influence in the entertainment industry and was a masterful discoverer of new talent.

He continued to expand his activities into the print media, including the magazine Vibeaimed primarily at a youthful African-American readership. He also produced the hit television series Fresh Prince of Bel Airwhich began in Celebrities and musicians paid tribute to Jones in October at the United Negro College Fund's "Evening of Stars," honoring his lifetime achievements and commitment to helping others.

Sanders, Charles Leonard. Gill, Jonathan " Jones, Quincy. Gill, Jonathan "Jones, Quincy.

Musical biography quincy jones: Quincy was born in the

Composer and Producer. Nationality: American. Born: Quincy Delight Jones, Jr. Family: Married 1 Jeri Caldwell, divorced ; 2 Ulla Anderson, divorced ; 3 the actress Peggy Lipton, divorced ; seven children in all. Awards: Jean Hersholt Humanitarian Award, Agent: Rogers and Cowan Inc. A Dandy in Aspic A. Vanity Fair New YorkJuly With the incorporation of jazz and pop styles into film music in the s and s, it was inevitable that composers from such backgrounds would be commissioned to compose film scores.

Quincy Jones's experience as an arranger, composer, and performer made him particularly adept at matching the disciplines of these styles to the demands of the medium. Jones has brought to film music a range of influences from Latin stylings to American blues. Such influences are apparent in his first major score, for Sidney Lumet 's The Pawnbroker.

The urban realism of Lumet's film is balanced by equally authentic musical accompaniment, showing not only Jones's facility with jazz, but also with Puerto Rican and other ethnic musical idioms. Jones's handling of these elements led to his scoring a number of crime films and social dramas with contemporary urban settings. In many of these works, he combined modern rhythms with melodic pop themes reminiscent of the work of Henry Mancini.

This approach made Jones a natural choice for contemporary directors seeking a "new" sound. The score for Norman Jewison 's In the Heat of the Night employs bluegrass and blues elements appropriate to its Southern setting while Jones's music for Richard Brooks's In Cold Blood incorporates unusual percussive effects, throbbing bass lines, and even a use of bottles at one point.

Jones has also continued to work on and off for Lumet, serving as arranger and conductor for the filmmaker's production of The Wizadapted from William F. Brown and Charlie Smalls's hit Broadway musical. Jones gained further recognition in the motion picture industry as one of the producers and the musical coordinator for Steven Spielberg 's The Color Purple.

Assembling a team of composers, orchestrators, and musicians, Jones constructed a score that combines a broad spectrum of musical influences, from African rhythms to jazz and blues. The music also contains more traditional approaches to film scoring, as in a lyrical symphonic theme which bears in its principal woodwind line a resemblance to Georges Delerue's main theme for Our Mother's House.

Above all, Jones's work for The Color Purple demonstrates his ability not only to handle a variety of musical styles but also his influence as a producer. The Color Purple aside, from the mids on Jones became less active in films, turning his attention musical biography quincy jones to arranging and conducting and, in particular, to his film and television production company, Quincy Jones Entertainment.

He also established his own broadcasting company to acquire television and radio properties. Ness, Richard R. Jones, Quincy — gale. Learn more about citation styles Citation styles Encyclopedia. Jones, Quincy gale. NdedaMercury. ModeABC Records. Selected movie soundtracks In the Heat of the NightLiberty. Cactus FlowerBell. They Call Me Mr.

TibbsBell.

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DollarsReprise. The WizMCA. RootsWarner Brothers. ThrillerEpic, Frank Sinatra L. Is My LadyQwest. Donna Summer Donna SummerGeffen. Sources down beatApril, LifeDecember, PeopleSeptember 8, Rolling StoneApril 12, News and World ReportFebruary 8, Ndeda, Mercury. Mode, ABC. Back on the Block, Qwest,