Kirsten stolle biography

Kirsten stolle biography: Kirsten was born in Newton, Massachusetts

The distinctions between government and corporations fall away so viewers are invited to think of the use of these supposed divisions within the agrichemical sector. This invites viewers to hold on to these words, so that when they encounter Plant Protectionthey are primed to read this towering assemblage of plastic pesticide bottles covered in gold glitter as an absurdity of gilded toxic greed.

In one of the six HERBS collages, we encounter a wide strip of bright orange vinyl pressed against a letterpressed quote from a Bayer CEO explaining that when Bayer acquired Monsanto inthe Monsanto name would be subsumed under the Bayer corporation. Stolle memorializes this act of naming and the power companies have to disconnect themselves from histories through mergers, acquisitions, and speech-acts.

The herbicides were named for the color-coded bands around the gallon drums used to ship and store the chemicals. Art-science work can be thought of in four major categories: conveyance, contributive, contextual, and critical modes. Combined, they offer viewers new discoveries about relationships for which they may have never seen textual evidence.

Information is being conveyed through this but so are critical modes with which viewers can approach these details with an understanding of the broader context of corporate connections.

Kirsten stolle biography: BIOGRAPHY. Kirsten Stolle is a.

The artist in the archive returns to us with innovative ways to visualize social realities and relationships achieved through seductive colors and forms that draw us into textual complications. Red Flag, Lithography and collage on paper 30h x Ripple Effect, lithography, collage, tracing paper, ink on paper 30h x Smallholders, lithography on paper 30h x Value Chain, lithography, graphite and stickers paper 30h x Without, lithography on paper 30h x Kirsten Stolle 74,Blue Vinyl, graphite on paper 13 x Kirsten Stolle Seeds of ProgressGreen vinyl, glitter on paper 13 x Dow Shield, from the series Pesticide Pop Archival pigment print mounted to dibond 44 x 44 inches Edition of 1 Inquire.

New Hunters, Collage on Monsanto magazine advertisement 11 x 8 inches paper size Inquire. Kirsten Stolle Lost Crops 4, Collage, glitter and ink on paper 11 x Kirsten Stolle Lost Crops 1, Collage, glitter, ink on paper 11 x Kirsten Stolle Lost Crops 3, Collage, ink on paper Kirsten Stolle Yield, from the series By the TonSilkscreen on archival pigment print 11h x 14w in Kirsten Stolle Feed, from the series By the TonSilkscreen on archival pigment print 8h x 10w in Kirsten Stolle Connecting the Dots, from the series By the TonSilkscreen on archival pigment print 8h x 10w in Kirsten Stolle Dinner's Ready, from the series By the TonSilkscreen on archival pigment print 11h x 14w in Kirsten Stolle Feed the Future, from the series By the TonSilkscreen on archival pigment print 11h x 14w in Kirsten Stolle By the Ton silkscreenfrom the series By the TonSilkscreen and collage on archival pigment print 11h x 14w in Kirsten Stolle Improving AgricultureCollage on archival pigment print 8h x 10w in Kirsten Stolle.

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Kirsten stolle biography: Tackling on many contemporary issues between

S Air Force which sprayed over 74 million liters of the chemical herbicides in Vietnam between and In Science for a Better LifeStolle uses collage, cutting, and drawing to redact original texts from magazine advertisements — propaganda which overwhelmingly promoted the use of chemicals in war, agriculture, and home — altering the intended messaging and reframing the visuals to expose the true threat posed by harmful chemicals.

Each hammer, hung horizontally at eye level, is engraved with a marketing phrase associated with herbicide spraying programs. Referring to the use of pesticides as a blunt instrument, the installation speaks to the mass deployment of chemicals used in industrial agriculture. Kirsten Stolle 74,Blue Vinyl, graphite on paper 13 x Kirsten Stolle Seeds of ProgressGreen vinyl, glitter on paper 13 x