Franck van der heijden biography

I used songs that I had written before and wrote some new ones. I started the first recordings with a band, wrote all the orchestral parts and not much later I recorded the orchestra conducted by Robert Groslot. During the next period, while I was recording my vocals, there were some collaborations. John Miles did a duet, Ole Edvard Antonson played a trumpet solo, Alannah Myles did additional vocals and read a poem.

Then came the hardest part: the mix, and even worse, trying to get a record label interested. Because this was such an extraordinary project it was very difficult to place it in one category. Besides playing in several bands as a guitarist he worked in studios as a producer and arranger. From onwards the focus shifted to arranging and orchestrating for large orchestras.

He wrote compositions and arrangements for numerous international renowned artists, radio and TV, more than 17 years for the Metropole orchestra and the Night of the Proms where he met Garrett in From that moment David and Franck started to work on the crossover material. For all the tours with Garrett and his orchestra, he acted as the music director, conductor and guitarist.

Franck van der heijden biography: Read Franck Van der Heijden's bio

Apart from the productions and live concerts with David he continued writing orchestral arrangements for other recordings of artists like Within TemptationDavid GuettaMichael Jackson and Celine Dion. In he was given the opportunity to write the film score for The Devil's Violinist. His greatest ambition to write film music became a reality, in spite of his choice for music the love for film never died.

This article "Franck van der Heijden" is from Wikipedia. The list of its authors can be seen in its historical. Recent changes. Sometimes he thinks far ahead and that can cause some delay. Like in the example from before, seems that everyone is informed of the concept or the idea, except those who really needs to know, both with the artists as with sound and so on.

However, we cover it up with the veil of love. Specific arranging For example, how long do you work at a number for Roxette for the fall editions? However, they are coming with their own band. Well, Roxette exists from control freaks who like to work with their own arranger. From there are some things ready for them. Do you need to write some scores for arranging?

I do, luckily I got a whole system called Sibelius, a notation program, linked to a complicated system, where every single note is played by a sample and everything gets noted down. With Sibelius I have a virtual score opened up with the whole orchestra inside. I start with the original score and preferable with the live versions; next I write a scheme of accords where I add the guide bass and drums, and next the other instruments.

Witch were the five artists you liked working with the most at Night of the Proms? Of course I have good memories from Toto, that more with sentimental values from my youth. Next I have good recollections to Oleta Adams ; I worked with here later on as well. In the light of the arrangements, so where I made something completely different, I really enjoyed working with Tears For Fears and Meat Loaf.

It became a very delicate orchestral arrangement of not so easy music. The way she brought it was fantastic. For me, it was hell arranging that. The original is a Celtic piece with two accords guitar; it was one of heaviest arrangements I ever had to go through. I though Jan choose the numbers of the artists and finalized the list when signing the contract.

It rocks! When I arrange for someone else, like Al Jarreau or Status Quo, two extremes, I try to look for the right music that fits the one and the other. But it is needed to create music full of character. The lead singer of Live gave me a compliment last year during an interview on the radio; he was only used to rock arrangement an admitted to be scared to work with the orchestra.

The orchestra rocks! I can translate all of those things to the orchestra. You guys rock!

Franck van der heijden biography: Introducing Franck van der Heijden, a

That had also to do with the orchestra of course. It is in fact a unique orchestra with a lot of young musicians who are used to play such music on a daily base and enjoy it. The sponsored orchestras have no message to such music and turn their head away. I have had a large admiration for him when we did the show under the Eifel tower in Paris July the 14th ; everything had to be done there in inhumane conditions but he was still cool and controlled.

You can rarely catch any mistakes with him. Wish list Who else in on your wish list to get to Night of the Proms? I would have liked to see and hear him but he quit with pop music.

Franck van der heijden biography: Franck is the music

Yes, but he was very intensively busy with classical music and has devoted himself to it. Unfortunately, it will not happen. Phil Collins has more or less agreed, but the agreement of Paul Mc Cartney has not come in yet. That could be very fun. Let us start with Toots Thielemans. His pianist, Steve Willaert, will do that. I would have liked to do it.

Will he be playing alone or also with other artists? The artists would be stupid not wanting to play with him. Robert Groslot told me the rehearsals started a week before the first show. Yes of course, but it all works as preparations for sound, lights and see if my side is ok. I did a lot of thing for them, like their latest album about 3 years ago witch was a huge success and a number 1 in the US, Germany, Denmark, … I wrote about half of the orchestrations for it.

Afterwards they did that show with the Metropolitan Orchestra, Black Symphony. Yes, I did. A big thanks to Universal Audio for supporting me over last years. Many projects done with their great pug ins running on my Apollo 8 and Satelite. Hello everyone! On tour in Poland with David Garrett. Franck van der Heijden Meseka Productions.