Benvenuto tisi biography of christopher

In youth he was fond of lute -playing and also of fencing. He ranks among the best of the Ferrarese painters; his leading pupil was Girolamo da Carpi. Even his least successful works retain, amid their frigid and porcelain quality, a harmony which marks Venetian colouring. His youthful works include the "Boar Hunt" in the Palazzo Sciarra.

Later, the "Knight's Procession" in the Palazzo Colonna in Rome — gave promise of an Italianate Cuypless commonplace, more romanticand more refined than the Dutch artist. The Madonna in the Modena Gallery is a charming picture; however, the large Triumph of Religion in the Atheneum at Ferrara has been described as a "bookish" affair, whose episodes are difficult to elucidate.

Garofalo is one of the painters known and described by Vasari. From till his death Garofalo was blind. InGirolamo da Carpi is said to have apprenticed in Garofalo's workshop, and worked with him in Ferrarese projects in the — Other pupils include Stefano Falzagalloni. Contents move to sidebar hide. Freedberg, Sydney J. Pelican History of Art, ed.

Painting in Italy, — Penguin Books. Francis P. Smyth and John P. O'Neill Editors in Chief Artist, Italy. Paintings, List. Hellenica World - Scientific Library.

Benvenuto tisi biography of christopher: The Resurrection of Christ

Saint Ursula Benvenuto Tisi da Garofalo c. Find out more. Biography on Wikipedia. Venues View all Burton Constable Hall. Canterbury Cathedral. Christ Church, University of Oxford.

Benvenuto tisi biography of christopher: Italian painter, active mainly in

Mellerstain House. National Galleries of Scotland: National. He was born in at Garofolo, in the Ferrarese territory, and constantly used the gillyflower garofalo as a symbol with which to sign his pictures. Removing to Rome, he stayed fifteen months with Giovanni Baldini, acquiring a solid style of draughts manship, and finally to Mantua, where he remained two years with Lorenzo Costa.

Benvenuto tisi biography of christopher: Benvenuto Tisi was a Late-Renaissance-Mannerist

He then entered the service of the marquis Francesco Gonzaga. Afterwards he went to Ferrara, and worked there four years, showing diligence and delicacy without much severity or elevation of style. Attracted by Raphael's fame, and invited by a Ferrarese gentleman, Geronimo Sagrato, he again removed to Rome, and found the great painter very amicable; here he stayed two years, rendering some assistance in the Vatican frescos.

Thus the style of Tisio partakes of the Lombard, the Roman, and the Venetian modes.